stories of manufacturing #03
for everyone who loves music
~the birth of mus-icaudio device development
rohm audio devices
thomas edison invented the first gramophone (phonograph) in 1877. since then, over the next 100 years, the world of audio has evolved through to analog signal media such as lp records and magnetic tapes (reel-to-reel and compact cassettes).
the following 40 years saw even more dramatic advancements. from the fusion of digital technology with video equipment centered on cds popularized in the mid-80s to the spread of compressed audio files and emergence of high-resolution audio sources from the 2000s, the evolution and transformation of the music industry shows no signs of slowing down.
rohm has been developing innovative ics that meet the needs of the times for nearly 50 years, beginning in the '70s. similarly, in the semiconductor industry, where integration and functionality have progressed dramatically in step with the audio industry, we have commercialized a succession of audio devices that take advantage of our strengths in analog technology.
our current lineup includes audio amps, sound processors, and audio dacs/codecs that have been adopted by a wide variety of commercial audio manufacturers.
rich musicality that expresses the performer's world view
in recent years, we have been focusing on the development of high fidelity products for high-end audio equipment. the proliferation of high resolution audio sources has increased the demand for advanced technology that converts high definition digital audio data to analog without losing any of the original data. in 2018 we released the mus-ic series, our premier lineup of audio ics that focuses on unique audio quality design to pursue 'musicality' that cannot be measured by numerical performance.
we asked the developer, mr. sato of the lsi business division, about his thoughts on the subject.
key visual of the mus-ic series. shown here is the main hall of rohm theatre kyoto, a space designed to resonate with profound orchestral sound.
i’ve been working in the audio ic development department since joining the company.
i don’t have any background in music education, though i was in a pop band as a student.
the video at the top of the page shows the long process of trial and error that began when we asked the customer of an audio manufacturer to provide feedback on the direction of sound the mus-ic series should take.
electrical characteristics and sound quality represent two wheels on an axle
in 2020, the bd34301ekv 32bit audio da converter ic, part of the mus-ic series, was adopted in the latest sacd/cd player from luxman corporation.
what kind of sound was required of luxman's highly acclaimed new flagship model d-10x?
mr. nagatsuma, manager of the development department at luxman, responded.
after working at a home appliance technology research institute of a major electronics manufacturer, my passion for audio products prompted my move to luxman, where i was involved in the development of cd players and pre-main amplifiers.
each high end audio equipment manufacturer has their own characteristics and preferences in sound quality, creating brand individuality. when asked what kind of sound quality luxman is pursuing, it appeared that there were some elements that overlapped with rohm’s aforementioned goals for sound quality design.
luxman’s ‘5 pillars’ of sound quality.
in study sessions these elements are usually talked about first.
mr. nagatsuma, who expressed his satisfaction, evaluates his communication with mr. sato as ‘having an ear that can talk about sound at the same level.’ the conversation proceeded smoothly since he was able to listen and evaluate sound quality in a way that was both objective and subjective, which tends to fall into the realm of personal preference. these words pleased mr. sato, who had spent a long time cultivating an ear that can discern the difference between minute sounds.
28 parameters in a vertically integrated production system
figure top：the standard song for listening is the live version of ‘hotel california’ by the eagles.
the sound separation and localization were deemed to be extremely good.
figure bottom：the laboratory in the yokohama technology center located in the front of the shinkansen shin-yokohama station provides a different look from the listening room.
rohm’s advantage is a vertically integrated production system, in which everything from ingot pulling to packaging is performed in-house.
development work requires the perseverance to constantly check sound quality in a dedicated listening room before incorporating it into the circuitry and packaging. the approach put into practice by mr. sato and his team shows the major features unique to rohm. it requires a close relationship with our vertically integrated production system put in place since the company’s inception.utilizing a vertically integrated manufacturing system allowed us to explore more parameters not only in circuit design but in all processes, from wafer fabrication to packaging.
test chip for investigating sound quality factors
we designed a test chip that incorporates points of concern while investigating existing products, etc. this was used to identify the 28 parameters.
acknowledgment from the manufacturing dept.
a view of the clean room from the observation area of rohm’s main factory in kyoto. although the official name is vlsi research center, it is commonly referred to a ‘v lab’.
hamazawa, general manager in charge of technology development, talks about those days.
after making several trips from the main factory in kyoto to the yokohama technology center where mr. sato works and actually listening to the difference in sound, he gradually changed his mind.
this passion for creating sounds that spread to mr. hamazawa led him to conduct independent experiments and even create test chips even without being asked to do so. mr. hamazawa focused on the relationship between sound quality and chip cooling and even created a prototype. ’but it sounded a bit stiff, so we didn't end up adopting it,’ he says with a wry smile. however, the indescribable expression on his face can only be interpreted to mean ‘manufacturing spirit’ or ‘depth of craftsmanship’.
sharing and passing on knowledge
rohm’s ‘sound quality design’ was painstakingly developed over a long period of time under the leadership of mr. sato.
the entire development team in the audio division is currently utilizing this knowledge in product creation.
as luxman’s nagatsuma said, sharing the listening experience with others, which is highly dependent on individual senses, is a more difficult and ambiguous task than one might think.
but by standardizing and utilizing special techniques such as sensory knowledge and skills, we can achieve growth as an organization that also plays an important part for the future of ‘monozukuri’ (manufacturing). the sound quality comparison chart below is used as one of these attempts
sound quality comparison chart
the chart graph consists of 8 items related to clarity, realism, expanse, resolution, position, bass volume, distortion, and power.
this standardized example is used to develop engineers with a discerning ear.
our commitment to sound is not only infused in our products, but also in the evaluation boards we provide to customers.
it is a relentless challenge to see how far we can take something so sensory as listening by ear and put it into a circuit...
musicians put their heart and soul into their music, and we hope to approach lsi design with the same passion.
just as a musician’s pursuit of music knows no end, so is the reproduction of high quality sound, says sato.
in other words, as long as there is music in the world, the challenge will continue.